![]() ![]() Edge Thickness fixes the edges of the subject.Edge Feathering softens the subject edges.Offset adjusts the visibility of the backdrop.These are powered with the following functionalities: On successfully doing so, you will spot tools like Offset, Tolerance, Edge Thickness, and Edge Feather to tweak the edges of your subject. Take your cursor to the Video tab and check on the option Chroma Key to enable it. You will see a window pop up on the screen. ![]() Step 2: Modify the Green Screen SettingsĮnter the Edit Panel of the Green Screen Footage by double-clicking on it. Then, Drag and Drop them to the first and second track, respectively. The first and foremost step would be to create a New Project and Import the two footages (Background Clip and Green Screen Clip) into your Media Library. Step 1: Import the Footage into the Software Here’s a concise guide to help you achieve it. Using Chroma key on Filmora9 and converting a Green Screen to an impressive backdrop is a piece of cake. However, Blue Screens hardly fare well in terms of luminosity, which makes the prior a desirable option to shoot large scenes on screen. In a simple sense, when the Green Screen appears like a single solid color with better luminosity, one can attain the Chroma Key one’s anticipating. On putting up a crease-free Green Screen with no shadows falling across it, you can achieve better footage. It brings us good and bad lighting, where a well-lit screen is essential for the Chroma Key to work its charm. In such a situation, a Blue Screen fits the scene more than its Green counterpart. For instance, when the person you are filming wears a green tee against a green backdrop then the individual camouflages and fails to achieve the desired Chroma Key effect. Contrastĭespite the commonality of Green Screen, Blue Screen hardly loses its significance. Though the solution is simple with the empowering tool, it’s better to stick to Blue screens because of the same spills fewer tints than its Green counterpart. However, thanks to the Chroma Key tool in Filmora9! Much of it is alleviated automatically. The only way to prevent it is by maintaining adequate distance between the green screen and the actor. This is more commonly witnessed when the person stands close to the screen. There are times when you will spot flecks of green color onto a subject you are shooting on a video camera. CommonalityĪs discussed earlier in the introductory part, the Green screen is rampant in movies and news reporting than Blue Screen. Let’s check them out one-by-one and understand all those aspects, where one enjoys more popularity across video producers than the other. But, in reality, there are stark dissimilarities between the two. ![]() Now that you have gained an insight into Chroma Keying let’s learn about the differences between Green Screen and Blue Screen in the upcoming section.Īpparently, the color difference is the only thing to spot in the Green and Blue screen. They often cast their reporter against a green screen and adjust the backdrop accordingly with desired effects. Another instance where the application of Chroma Key is felt the greatest is in News Media. In the film industry, for instance, while shooting Hollywood movies, the crew often utilizes the visual effects of Chroma Key to alter the indoor studio into a world of their own. The latter finds application in many industries. To put it simply, a Chroma is a specific color, which can either be blue or green. If you have not tried it out yet, then you have missed out on superb effects that you could have ever imagined. Alternatively, called the Blue Screen or the Green Screen, the functionalities of chroma key are myriad, and each promises plenty of benefits. Chroma Key is a powerful feature of Wondershare Filmora9 and a great technique to swap the background of a particular video with another color or image. ![]()
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